Corot Camille
French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers
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Corot Camille Manana in Venice oil painting


Manana in Venice
mk131 1834 It painted during the second trip to ltalia, Corot Amuses the azure light.
Painting ID::  38100 		Corot Camille
Manana in Venice
mk131 1834 It painted during the second trip to ltalia, Corot Amuses the azure light.
   
   
     
Corot Camille The walk of Poussin Campina of Rome oil painting


The walk of Poussin Campina of Rome
mk131 1826-1828 outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
Painting ID::  38101 		Corot Camille
The walk of Poussin Campina of Rome
mk131 1826-1828 outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
   
   
     
Corot Camille Ischa since the slopes of the mount Epomeo oil painting


Ischa since the slopes of the mount Epomeo
mk131 1828 Two pochadeso outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
Painting ID::  38102 		Corot Camille
Ischa since the slopes of the mount Epomeo
mk131 1828 Two pochadeso outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture
   
   
     
Corot Camille Florence Since the Gardens of Boboli oil painting


Florence Since the Gardens of Boboli
mk131 1835-1840 The two arboles in first I finish they initiate a sequence of vertical references that contnuan al fund in the campanle
Painting ID::  38103 		Corot Camille
Florence Since the Gardens of Boboli
mk131 1835-1840 The two arboles in first I finish they initiate a sequence of vertical references that contnuan al fund in the campanle
   
   
     
Corot Camille Volterra oil painting


Volterra
mk131 1834 The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different
Painting ID::  38104 		Corot Camille
Volterra
mk131 1834 The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different
   
   
     
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     Corot Camille
     French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers

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